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Monday, 12 August 2013

Convert Photo To Pencil Sketch Photos Wallpapers Images Pics Collections

Convert Photo To Pencil Sketch Biography

Source(google.com.pk)
oftOrbits Photo to Sketch Converter is a kind of photo editing software tool intended for converting photographs to pencil sketches. Featuring an array of designer tools, this program enables users to make usual photographs into exquisite pencil-drawn pictures, both black-and-white and colored. While creating a pencil sketch, you can choose your most preferred settings and options. Thanks to the user friendly and intuitive interface, it does not take a lot of tuition for a novice to learn to convert a photo to a sketch. There are two ways you can edit photographs with SoftOrbits: manually and by aid of ready-made presets.
Instant photo sketch will help you to convert a digital photo into pencil sketch. The program is extremely simple to learn and use. Unlike many other sketching programs that just convert the image into black and white, instant photo sketch processes photo in a special way to make it really look as drawing, not the photo. You will be able to open photos in most formats, make sketches, control the pencil intensity, zoom and save image into JPG or PNG. Also, Instant Photo Sketch is completely freeware..
PostworkShop is a fun-to-use software to transform your photos into an oil painting or watercolor, pastel drawing or pencil sketch, abstract artwork or old-time photograph using techniques from some of the most famous artists. Leave behind the usual look, show something different. Everything looks better with an artistic style. Features: -Over 50 artistic styles to choose from to transform your photo into a work of art whether a watercolor, pencil sketch, or abstract drawing. -One click transforms your photo into an artistic rendition. You can apply random styles to your picture to see what you like best or select a specific style.
AKVIS Sketch is photo to sketch conversion software. It turns photos into pencil sketches and watercolor paintings. AKVIS Sketch lets you create realistic color and B&W drawings, it imitates the technique of graphite and color pencil, charcoal and watercolor painting. The program is available in two versions: as an independent program (standalone) and as a plugin to a photo editor. AKVIS Sketch has a neat interface with a few sliders. At first you can process the image with the default settings and then touch up the photo adding color, or trying different techniques - from pencil to charcoal or watercolor.
During the 1930s Low was a fierce opponent of Hitler, and Mussolini, and of the policy of Appeasement. Perhaps his most famous cartoon creation, "Colonel Blimp", first appeared in the Evening Standard in April 1934, and continued to make confused and childlike pronouncements on current events. "With the sympathy of genius", wrote The Times in 1939, "Low made his Colonel Blimp not only a figure of fun, the epitome of pudding-headed diehardness, but also a decent old boy." Low also contributed to Picture Post, Ken (large double-page cartoons), Graphic, Life, New Statesman (of which he later became a director), Punch, Illustrated, Colliers, Nash's Magazine, and Pall Mall Magazine - in which the satirical 'The Modern Rake's Progress', based on Edward VIII, had first appeared in September 1934.

Low's work was now in the Tate Gallery, and his waxwork was in Madame Tussaud's. He helped to create the reputations of those he cartooned. "In general," he told one interviewer in 1942, "politicians like to figure in caricatures and cartoons": "We help to 'build up' their personalities...Sir Austen Chamberlain asked me once, when he was posing for me, 'Need I wear my monocle? I can't see with it very well.' " At the height of his powers, Low was offered a knighthood, but turned it down.

In 1948 Low's Evening Standard cartoons were cut from four columns to three, and at the end of 1949 he resigned from the paper. He was invited by the Editor of the pro-Labour Daily Herald, Percy Cudlipp, to succeed the cartoonist George Whitelaw, and began work in February 1950. The contract was for Low to draw three cartoons a week for £10,000 a year - the same salary he had been getting on the Evening Standard. Low's old job was offered to Gordon Minhinnick, political cartoonist on the New Zealand Herald, but he turned it down. However, Low did not really settle at the Daily Herald, and moved to the Manchester Guardian in February 1953. The paper had previously used syndicated cartoons, including some of Low's, but he became its first staff cartoonist.

Low continued to work at the Guardian until shortly before his death. He was still highly regarded, but Ralph Steadman, who met him in 1957, recalled later that he "was my bete noir": "Something turned me off him as the voice of authority...He was the insider playing the maverick, hand-in-glove with Lord Beaverbrook." In 1958 Low received an honorary doctorate from the University of New Brunswick, receiving similar honours from Canada in the same year, and from Leicester in 1961. In 1962 he was finally knighted.

Low was perhaps the most influential political cartoonist and caricaturist of the twentieth century - he produced over 14,000 drawings in a career spanning fifty years and was syndicated worldwide to more than 200 newspapers and magazines. He also created a number of memorable comic characters, including the walrus-moustached Colonel Blimp, the TUC carthorse, and the Coalition Ass. He drew in pencil for two famous series of political and literary caricatures published by the New Statesman in the 1920s and 30s, but otherwise worked mainly in ink using a pen and brush.

While at the Standard he worked from his studio in Hampstead and did not submit roughs but drew a single very detailed pencil sketch which he would then transfer to a clean sheet, spending five to eight hours on the finished drawing which would be collected by the paper at 5.30 pm each day. When James Friell ("Gabriel") went to the Evening Standard in 1956, David Low advised him not to work at the office: "'You don't want to get too friendly with editors,' he said, with that twinkle in his eye. 'Gives them ideas above their station.'"

A member of the Savage Club and the National Liberal Club, Low always regarded himself as "a nuisance dedicated to sanity". He died on 19 September 1963.